About the Library of Rejected Beauty
and how you can submit your beautiful, but unloved, works
“Thanks for this interview. Our readers are very interested in all things organic.” Janet glanced down the gleaming-white corridor. She knew that the word ‘organic’ conjured up a very different picture in the minds of the subscribers to Renewable World. “Our methods are impeccable – we recycle the majority of our water, our solar panels actually feed excess energy into the national grid, and in the past we used natural biological controls on pests.” Dr Bryan smiled. “Ladybirds. Ideal for removing aphids. But since we really locked down on physical interfaces, very little has been getting in or out. We aim for only two organisms in this entire complex. Humans and tomatoes.” “Physical interfaces?” “Where the outside world meets Read More
Sieman’s Crystal, the fractured, urgent glass polygon where Last Theatre’s New Atlantis sets its immersive stage, is an ill-fated location to explore the public’s place in humanity’s struggle to face the oncoming climate catastrophe. Above us oil-monarchy sponsored empty glass baubles run from the gargantuan ExCel centre to the O2 along the Emerites Airline. Massive 19th century cranes are dwarfed by even more massive business hotels, monuments to one withered stream of capital become sculpture to entertain the acolytes of the next. To the south the evening sky is alive with the light of a thousand Canary Wharf executive’s windows. Turning East along Victoria Dock, we stare right up the business end of London City Airport’s runway where for £10,000 Read More
and how you can submit your beautiful, but unloved, works