Category: Lydia Nicholas

Sieman’s Crystal, the fractured, urgent glass polygon where Last Theatre’s New Atlantis sets its immersive stage, is an ill-fated location to explore the public’s place in humanity’s struggle to face the oncoming climate catastrophe. Above us oil-monarchy sponsored empty glass baubles run from the gargantuan ExCel centre to the O2 along the Emerites Airline. Massive 19th century cranes are dwarfed by even more massive business hotels, monuments to one withered stream of capital become sculpture to entertain the acolytes of the next. To the south the evening sky is alive with the light of a thousand Canary Wharf executive’s windows. Turning East along Victoria Dock, we stare right up the business end of London City Airport’s runway where for £10,000 Read More